Perhaps nothing more than noise

A few nice points about the ongoing (monotonically increasing?) epidemic of spam (thanks Tom). Two notable quotes:

  • Seth Godin, marketing guru, at an event organized by DoubleClick: “spam is spam, and spam has no future.” But banner ads are the path to enlightenment? Wha?
  • David Ritz, an antispam advocate: “If you say something once, it’s speech. If you say the same thing a few hundred times every day, it becomes nothing more than noise.”

I think a more appropriate statement is: if one person says something a few hundred times a day, it’s nothing more than noise. If a hundred people say the same thing one time, it’s a contagious meme. Google taught us that.

Use the blog, Luke

They’re challengers to the throne of Google“: a nice slant on weblogs taken by Emergence author Steven Johnson, heading in many speculative directions that I’ve been considering lately as well. Webloggers are organizing the web, but we have yet to take full advantage of their work. It’s just a matter of time before we figure out how to take weblogger’s work ethic and translate it into a tool for the masses (link courtesy of Nick, discussion at Kottke.org).

Scavhunt 2002.. get it on!

Assemble a group of your friends, and try to collect as many items on this year’s Scavenger Hunt List as you can. Every year I went to the University of Chicago, I watched my friends renege on their lives for 72 continuous hours, only to come up 15 points short of the winning team.

Sucks for them!

Among my favorite items this year (thanks Cory):

10. The destructive power of rock: have a guitar ensemble play any of Slash’s 3 solos from “November Rain” in perfect unison (personally, we prefer the third solo on the album, but we’ll settle for the first). [60 points per guitarist; 5 guitarists maximum. 10 bonus points will also be awarded on the basis of your destruction: in other words, your ensemble must rock so hard that they break open some sort of glass container with their sound waves. It will not count against you if your guitarists are dressed as ninjas, which are cool. And by cool, we mean totally sweet]

31. Passport stamped by all three axes of evil. [333 points. 33 bonus points if it also contains a stamp from “occupied territory”]

36. Fuck this “liberal arts” hippie shit, I want practicality. Bring us diplomas from Comiskey College, Hamburger University (bonus for a major in hamburgerology), Clown College, Digipen, Hard Beat University (bonus for specialty in bass), and of course, the School of the Americas. [50 points per school]

177. Three members of your team must attend the Blue Man Group performance disguised as your choice of either yellow, green, purple, or orange men. [30 points. 145 bonus points for getting on stage]

Wireless ethics

So I took this apartment thanks to good wireless capital in the neighborhood, and now that I’ve got an antenna, I’m leeching bandwidth from someone on my block. It’s not new to me; I’ve been stealing wireless since I plugged in my 802.11 card one day and discovered that I could.

But at my last apartment, in the student slums of Cambridge, the wireless network was named Nethack Inside, which I took to be some MIT students (or local anarchists). No harm done, right? I’m using up a bit of my wireless karma, but in the long run, I’ll probably give it back.

The ethics here at my new place aren’t so simple. The network is named default (which is better than My Network, I guess) and the street is populated with beautiful Victorian houses. With families. I’m not so sure Mr. and Mrs. PTA would be so excited to know that I’m stealing packets from them.

So here’s the dilemma: is it better to speak up now, or just cry a lot if they find out? Approaching them might ensure me access indefinitely, but it might also freak them out. I can just picture their faces when the cops raid my place and find antennas and wires and pringles cans. “Yes ma’am, it appears you’re the victim of reckless wireless larceny and network trespassing. Don’t worry though, we’ll toss the book at this one.” Ugh.

Gettin’ crunk, sponsor style

It’s sponsor month here at the MIT Media Lab, which means bringing out the dog and pony for all of our corporate benefactors. If I was paid by the number of times that I said “blogdex,” “news” or “weblog” today, I’d be on a plane to Cuba right now counting my retirement fund. But no, I only get paid a flat fee to say these words a million times a month.

Well, at least we get free beer. At least three times this month. Mmmmm.. free beer.

A Reminder in Disguise

I support public radio. That is to say, I listen to it, but in my tax bracket find it hard to give anything back. Whenever my local NPR station is pledge-driving, it irks me to listen to them repeat the same lines over and over:

  • “This station is funded by you, the listener”
  • “This is just an example of some of the quality programming on this fine station”
  • “For a pledge of $x, you will receive a complementary y”
  • “Supporting community radio is supporting the community”

And the list goes on. The uncanny familiarity comes from research in the area of effective pledging, and NPR stations are proof that the techniques work. But WBUR here in Boston is using a new tactic: piggyback on a popular holiday.

Every time they come on the air to distract you from your intent radio listening, the preface their practiced pledge-jargon with “This Sunday is Mother’s Day, and what better than to support your mom (and public radio too).” At first I was appalled and the underhandedness.. I mean, taking advantage of helpless mothers? But after an entire weekend of relentless pushing, I see the light: for those of us who can’t pledge, we get free reminders, every hour, on the hour, that Mother’s Day is next Sunday. 6 days until Mother’s Day. Don’t forget your mom, she’d be sad. Thanks WBUR, I won’t this time.

Final Scratch is here

final scratchOne of the most clever hacks in music technology has become a product, as Stanton just released a commercial version of FinalScratch. Originally the work of three Amsterdamn software engineers, the technique is simple:

Two special records, containing only a single tone are placed on regular turntables. These records have an expected output (something like a saw-tooth wave at 1000 Hz), which is affected by the turntable speed and the hand motion of the DJ. Their special little box takes the difference between the expected output, and the actual output, and uses this to drive the play of an MP3 file. With only 12ms latency, you can mix, scratch, or do just about anything possible with real records, while the sound you hear is the digital music file of your choice.

Richie Hawtin and John Acquaviva (of Plus-8 records fame) have jumped online as spokespeople. I’ve seen Richie twice since he started using the system, and the difference is imperceptable, except when his laptop breaks the day before the show and is forced to play records that he could find in Boston in an afternoon.

Given the rich suburban kid price (MSRP $799), I won’t be retrofitting my turntables anytime soon. But with their special records on the market, I’m sure someone will reverse engineer the hardware/software rig and rip the system wide open. Until then, I’ll just look at photos and drool.